As I’ve taken note of over the years, the French government has long been promoting “diversity” on both the large and small screens, including through the use of generous subsidies. It actually has agencies that monitor all television and cinema production and produce annual and quarterly reports showing what proportion of films/shows had brown people in leading roles and so on. Yes, really.
If you’re a film-maker looking for funding, you’ll find it much easier to get if you have swart-skinned people in the cast, or the film has a pro-diversity message. The result of all this is that French cinema has become a vector for Soviet-like propaganda, pushing White Genocide themes.
Most of these are, mercifully, dross, but occasionally, one of the propaganda pieces will be well conceived and executed and become a global hit. Such was the fate of the “Les Intouchables”, which, (incroyable!), actually made a handsome profit.
With a budget of $10 million and a worldwide gross of $428 million, the two Jews who directed and wrote it, Eric Toledano* and Olivier Nakache, will have been laughing all the way to the synagogue.
(*Eric the Toledan. Toledo was famous as a site of Jewish-Muslim collaboration during the Islamic occupation of Spain. Toledano is from a family of Moroccan Jews; Nakache from a family of Algerian Jews; probably Sephardi Jews expelled from Spain by Ferdinand and Isabella)
You can see from their photos that Toledano, in particular, could serve as a perfect model for the Happy Merchant meme.
Both of these Jews also get writing credits for the forthcoming American remake, titled “The Upside”, together with Jon Hartmere. I haven’t been able to determine whether Hartmere is also Jewish but his homosexual partner, Adam Godley, certainly is.
The project was also produced by Harvey Weinstein. Yes, Weinstein’s projects continue shambling forward at a zombie’s pace.
Strong Jewish involvement, then. And no wonder. Because the story is perfect for White Genocide cinema.
A rich, old white guy is disabled, wheelchair-bound and helpless. He needs constant care. His fawning family surround him, but they are joyless and uptight. He is bored, wonders whether it is worth going on. Into this comes a young welfare negro who just wants a job. He is taken on as a carer over the protests of the man’s strait-laced daughter.The negro is funky and cool. Gradually, he wins them over and shows them how to loosen up. The hip brown guy puts some zest back into the lives of the stale white folks. Diversity has made them free.
Give up your prejudices and let those funky brown folks into your life, goyim. White Genocide – it’s a wonderful trip! Your race may be extinguished, your culture and identity erased, your history blotted out and your civilisation obliterated. But on The Upside, you’ll get a thrillingly fast push in your wheelchair from a fun and helpful negro!